Wednesday, 15 November 2017

Review: Sugar Pie Guy by Tabitha True

3 stars

For ages, I've been going between 3 and 3.5 stars on Sugar Pie GuyIt gets full marks for the concept and some aspects of the execution, while other - particularly the insta-love and some of the writing - didn't work so well for me. 

It's set in 1977 suburban Cleveland, where a small, run-down strip mall serves as the centre of the local community. Roberta "Bobbie" Bell's aunt owns a business there, and Bobbie and her friends decide to hold some discos for some good, clean fun, and to help Bobbie's aunt out of some financial difficulties. But when Randy is sent to Cleveland to realise his father's ambitions of turning the mall into something more profitable, the community must rally. Even though Bobbie and Randy are on opposite sides of this fight, they're drawn to each other, and soon Randy's not sure if selling the mall is the best idea after all. 

The romance between Bobbie and Randy developed quite fast, and I found it hard to accept that they could fall in love so quickly, especially given that they are on opposite sides of the campaign to save the mall, and would be entering into a potentially fraught interracial romance (as you can see on the cover, Bobbie is African-American, while Randy is white, of Italian extraction).  

Admittedly, the latter does give Bobbie pause, and constitutes part of the continued awareness of race throughout the book. I thought this was handled sensitively, reflecting both the progress made in the decade since the Civil Rights Movement ended, and the entrenched bigotry that remained. 

The American disco scene is not exactly my area of expertise, but my understanding is that it - like many cultural phenomena - arose from the marginalised African-American, gay and Latino communities, and I was pleased to see that reflected in Sugar Pie Guy. It is together with her cousin Luke, and his DJ partner, Sal, that Bobbie starts the disco, which is always intended to be a safe space for everyone: 
“Vel [the owner of the space where the disco is being held] knows that this is probably going to be a mixed straight and gay crowd, right?”    
“Right.  He doesn’t care. He says he saw everything there is to see during the war.”  Propping her chin on her hand, she warned Luke about the house rules for a private party at the Donuteria.  “No booze, no drugs, no nudity, no public sex…”  (14%)
The distinction between their "safe, suburban disco" (23%) and other, wilder ones is something that I found particularly interesting because of similar cultural phenomena in Australia and New Zealand, from the Blue Light Discos that my parents attended and that are still a fixture for young people in some communities, to the locally renowned "Lav" dances I went to in Sydney as a young teen. 

The 70s setting was expressed in campy dialogue and writing that - to me, as a modern reader - mostly hit a good level of 'cheesily fun'. Sometimes, however, I found myself rolling my eyes, particularly at the flowery, heavily euphemistic way the sex scenes are written. Bobbie and Randy's repeated use of the endearment 'baby' also got old, but I think has to do with my distaste for that particular pet name than anything else.

But, overall, I enjoyed the way Sugar Pie Guy brought both the carefree attitudes and more serious aspects of the 70s to life. It was a novel read, and I'd recommend it for anyone who - like me - is always looking for 'outside-the-box' historicals. I think there's a lot of untapped potential for romances set in the second half of the 20th Century in a variety of setting, and I hope to see more authors taking advantage of this in the future. 

Tuesday, 31 October 2017

Overview: October Reading

Books read in October: 23
Books read YTD: 204 (Goodread Reading Challenge completed. YAY!)

Fiction Titles: 
  • 21 (12 historical romance, 8 contemporary romance, 1 paranormal romance)

Non-Fiction Titles: 
  • 1 (Travel/History)

Noteworthy Novels

Noteworthy Non-Fiction

Noteworthy Settings

  • Starling by Virginia Taylor - enjoyed the historic South Australian setting, but you can read my thoughts about the rest of the book here
  • Midnight Feast by Emma Barry and Genevieve Turner - I am continually surprised by how Barry and Turner can make me buy the HEAs in this series, while at the same time showing the sexist and hypermasculine environment of the 60s. 

Kick-ass Characters

  • Take the Lead by Alexis Daria - Professional dancer Gina Morales is a heroine who has set her professional boundaries, and doesn't take kindly to people who think that these are negotiable. Inspiring. 
  • Hamilton's Battalion by Courtney Milan, Rose Lerner and Alyssa Cole
  •  - literally every main character in this anthology deserves a mention. Just read it. 
  • Bountiful by Sarina Bowen - small business owner and single mother Zara has to decide if she should take a risk and open her heart to the father of her child. 
  • Midnight Feast by Emma Barry and Genevieve Turner - I'm still in awe at the authors' nuanced portrayal of a marriage gone sour, particularly their ability to imbue both characters with completely relatable and reasonable struggles, and the way that silence can become so full and heavy with preconceptions, misunderstandings and everything left unsaid. 
  • An Unsuitable Heir by K J Charles - The love story and discussion about gender and sexual identity (sans 21st century terminology) between non-binary protagonist Pen and his partner, Mark were really something.

This Month on the Internet...

Please be aware that some of the links this month discuss abortion, sexual assault and rape. I have added content warnings to the articles that deal with these themes. 

Other Literature, Craft and the Publishing Industry

Other Media

Women, Sexism and Feminism

Weird, Wacky and Wonderful

Friday, 27 October 2017

Review: Starling by Virginia Taylor

2 stars

This is a case where my reading experience and thoughts about the book differ greatly. I read Starling obsessively over the course of a single night, caught up in the crazy-sauce plot and the plucky heroine fighting for a better future. However, even as I did so, I was aware that the whole thing was steeped in toxic masculinity and the Madonna/whore complex. If Starling had been the old-school romance it so much resembles, I probably could have given it a bit of leeway, but it's not and my rating had to reflect the fact that this is a book - published in the Year of Our Lord 2015 - with some serious unchallenged on-page misogyny. 

So, the crazysauce plot is this: Starling Smith is fired from her new job at Seymour's Emporium because her male supervisor - who doesn't believe he needs female employees - tells the owner, Alisdair Seymour, that she is "annoying the customers". However Alisdair offers her another position: posing as his wife. He's had word from his sister that she will be visiting, with a mystery woman in tow. Desperate to avoid her matchmaking, he offers Starling 40 pounds for two weeks of pretending to be his newly-wedded wife, only to have his plan misfire when it turns out that the mystery woman is Lavender, the childhood love who left him to marry another man. As Alisdair's new plan - to use Starling to make Lavender, his real wife-of-choice jealous - also unravels, he realises that neither woman is what he thought, and that he feels much more for Starling than he anticipated. 

The whole thing was set up so that the women were continually played off against one another: Lavender against Starling, but also Lavender against one of Alasdair's maids, because Lavender is your classic immoral, manipulative slut who has to steal everyone's man, even if that man is a gardener. In contrast, Starling is such a shining beacon of pure and good white womanhood she could have stepped right out of a Victorian morality tale. She's orphaned, inexplicably graceful and ladylike despite her rough upbringing, and martyrs herself in silence, declining to defend herself when Alasdair repeatedly lays false accusations at her feet. 

Taylor makes it explicitly clear that Alasdair means to let Starling "set the limits" of  their physical relationship and would never "take her" without her consent, and yet there were several scenes that bordered on rape-y. Since he believes Starling to be an ex-prostitute, there's a lot of "I could have her, she's a whore, she wouldn't stop me"-type thoughts, and times where Starling says 'no', but Alasdair takes a while to respond, or reflects afterwards that she didn't really mean it:
Her fist thumped his shoulder and she tightened her face. He leaned forward and trued to take her mouth, but she turned her head away. "Stop. Let me go."The uncaring beast angled his hips and teased partway into the woman he didn't give a shake of his head for, while outside in the hall, separated from him only by a door, his family and his beloved Lavender made their way to their respective bedrooms.  Starling gasped. Using a whisper of repressed rage, she said, "Any further and I'll charge you five sh...pounds." His eyes flitted over her face. She could see him consider. Efficiently, as though he'd judged the price too high, he buttoned his trousers. (loc. 2490)
Throughout the book, there are practically big, flashing neon signs that point out Alasdair is actually Mr. Rapey McRapeculture. He spends a ridiculous amount of time slut-shaming Starling - either mentally or to her face - and, sometime after the above excerpt, Starling even says to him resignedly "You don't understand the word 'No'. You never have. To you the word means later." (loc. 2831). He is such a catch, even excluding the way he intends to marry Lavender and make Starling his mistress. 

At this point, my rating might seem a bit incongruous, but I gave Starling 2 stars for two reasons. The first was that is was so well-written and engaging, I shamefully almost didn't care about any of this stuff until I thought it over after finishing the book. Secondly, I really enjoyed the historical Australian setting, and historical romances set in Australia are unfortunately few and far between. Despite my overwhelming hatred for him, Alasdair's connection to the Ballarat goldfields has stuck with me, and sparked a desire to read a romance set against the multicultural backdrop of the 1850s and 60s Victorian or New South Wales goldfields. If anyone knows of one, please let me know - I can only think of MG/YA novels: some of Kirsty Murray's Children of the Wind books and A Banner Bold in the My Australian Story series from my childhood, and the newer The Night they Stormed Eureka by Jackie French, and of Zana Bell's gold rush romance Fool's Gold, which I really enjoyed, but which is set on the South Island of New Zealand

Wednesday, 11 October 2017

Three on a Theme: Romance Novels for Outlander Fans

For some completely incomprehensible reason, Season 3 of Outlander is currently on a 2-week hiatus, so I thought I'd post a few Outlander-esque romance novels to get us all through this mini-drought. 

You can also use these as alternatives to actually reading the Outlander books, if you love the TV show but also don't want to directly give Diana Gabaldon your time and money, given the way she bites the romance-reading hand that feeds her

All three of the recommendations here are rich in history, setting, characterisation and plot. Two are set - or partially set - in Scotland, while the last incorporates the time-travel element but has an enticingly different setting. 

In terms of content, Midnight Honor is by far the closest to Jamie-era Outlander, as it features the Forty-Five Jacobite Rebellion (including Culloden, just in case your heart hasn't been ripped out enough already!). It's a poignant romance based on the true story of Lady Anne Moy, and her husband Angus, chief of Clan Chattan: he fought for the British, and she for the Jacobites. I suppose because it's set in the same difficult time, it has that same sense of hard-won and potentially transitory HFN/HEA as Outlander (although there is a definite HEA here, don't worry), as do the other two books in the same series, The Pride of Lions and The Blood of Roses

2. Highland Rebel by Judith James
Highland Rebel is set during the Glorious Revolution when the Stuart King James II was deposed in favour of his Protestant daughter Mary and her husband William. While campaigning in Scotland, English spy Jamie Sinclair marries Highland lass Catherine Drummond to keep her safe. As the Revolution unfolds, Jamie and Cat must navigate shifting political and religious alliances, as well as the finer points of their marriage. Jamie can be a bit of an alpha-hole at times, but it has the same saga-like feeling as Outlander, as well as the Scottish and Stuart elements. 

3. Beautiful Wreck by Larissa Brown
Since the previous two have adhered pretty closely to Outlander's Scottish setting, Beautiful Wreck is a bit of an outlier. But it has time-travel and a very Gothic, slow-burn vibe that I find very reminiscent of the first season of the TV show. It's set between the 22nd century, and 10th century Iceland, with the heroine being thrown back in time as she tests a machine that simulates the past. Brown conveys the harsh life and inhospitable environment faced by the early Icelandic settlers extremely well, as well as the sense of adapting to a new life. 

If anyone else has some more suggestions for Outlander-esque romances, hit me up! I'd love to hear from you. 

Wednesday, 4 October 2017

Overview: September Reading

Books read in September: 25
Books read YTD: 181

Fiction Titles: 

  • 24 (11 historical romance, 7 contemporary romance, 5 speculative fiction romance)

Non-Fiction Titles: 
  • 1 (History)

Noteworthy Novels

Noteworthy Settings

  • Beauiful Wreck by Larrisa Brown - this does double duty with cool settings. First is an futuristic Earth, where people are grouped by which era of the past they choose to emulate. Then the heroine is accidently sent back in time to 10th century Iceland, where the weather and isolation make for hard living. The whole thing feels wonderfully Gothic. 
  • Deep Diving by Cate Ellink - short, cute story about two professional athletes who meet while on holiday on Australia's Lord Howe Island. 
  • A Queen from the North by Erin McRae and Racheline Maltese - Set in a alternate England where the Yorkist/Lancastrian enmity of the War of the Roses continues into the present day. A young woman of the Yorkist nobility is given the opportunity to marry the Prince of Wales (although I'm not sure that title still holds) and thus improve the lives of Northerners. There were some elements of worldbuilding that I questioned, or that didn't quite work for me, but it was fun and inventive nonetheless.
  • Snowspelled by Stephanie Burgis - Another alternate England this time based on the premise that Boudicea fought off the Romans and established a world in which women deal with politics, and men with magic.

Kick-ass Characters

  • A Taste of Honey by Rose Lerner - I've consistently loved the way this series shines a spotlight on the lives of Regency-era middle and lower classes, but Betsy and Robert struck a particular chord. They had very different ways of approaching everyday business concerns, and watching them figure this - and each other - out both charming and poignant. 
  • Snowspelled by Stephanie Burgis - After losing her magic in an attempt to prove herself worthy, Cassandra is adrift, but by no means powerless.

From the Internet this Month

Other Literature, Craft and the Publishing Industry

Other Media

Women & Feminism

Weird, Wacky and Wonderful

Monday, 25 September 2017

Review: Yuletide Truce by Sandra Schwab

3 stars
I received an ARC of this book from the A Novel Take PR (on behalf of the author) in exchange for an honest review. My opinion is my own.

Yuletide Truce was a short and sweet m/m Christmas novella. As always, Schwab builds an excellent sense of time and place, but I wish that the romance had been a little bit more drawn out.

Bookseller Alan "Aigee" Garmond loves the Christmas season, but Christopher Foreman's scathing comments in About Town magazine about Aigee's humble book reviews are putting a damper on his mood. Foreman's antipathy upsets Aigee, but, when an incident occurs that strips both men of their defences, it provides an opportunity for the two men to call a Christmas truce, one that has the possibility to turn into something more.

Schwab is extremely talented at breathing life into the everyday world of her characters. Here, that's the Victorian middle-classes, and there were lots of small moments that brought me unexpected enjoyment: Aigee's reminiscences of his life as an apprentice, the descriptions of illustrations from an English translation of the Brothers Grimm, and a reference to the knocker-upper. 

An awareness of class underlies the whole novella, as Aigee doesn't feel completely at home in either the bourgeoisie literary world in which he works, or the world of the rookery where he grew up. 

While this sense of being caught between two worlds was poignant, I felt as though it was undermined by the lack of conflict in the men's developing romance. Despite the enemies-to-lovers trope, after the men's initial on-page meeting, there was very little tension between the characters, or resistance to a relationship. It all came a bit too easy, with almost no groveling on Foreman's part, or grudge-holding on Aigee's. 

That said, the lack of angst means that it fills a certain niche within the genre: everyone needs an easy, feel-good romance at times - particularly at Christmas, when many people are dealing with conflict-heavy or fraught family situations - and Yuletide Truce fills that need perfectly. 

Thursday, 7 September 2017

Overview: July and August Reading

Reading Overview & Genre Breakdown

Soo...what are the chances anyone would believe that I follow the pre-Julian Roman calendar, and that's why July didn't get its monthly overview, and absolutely nothing was posted during August? Because that sounds way better than 'I got really busy with real life and had to put the blog on the backburner'. Even as I apologise for that and tell you that I'm back now, the truth is that my blogging will probably continue to be sporadic over the next few months, as I face the unenviable but unavoidable task of finishing my thesis.

To avoid the last two months being completely lost, I'm combining their monthly round-ups here, in a slightly more abbreviated form than usual. On the upside, after months of reading relatively little, the vagaries of real life seem to have bolstered my reading, and I'm back on track for meeting my goal of 200 books in the Goodreads Reading Challenge. August also saw a lot of comfort re-reading, which is quicker than reading a book for the first time, making the total for that month is unusually high.

Books read in July: 26
Books read in August: 33
Books read YTD: 156

Fiction Titles (July): 
  • 24 (17 contemporary romance, 3 historical romance, 1 fantasy romance, 2 romance anthologies)

Fiction Titles (August): 
  • 32 (18 historical romance, 13 contemporary romances, 1 steampunk romance)

Non-Fiction Titles (July): 
  • 2 (1 history, 1 urban studies)

Non-Fiction Titles (August): 
  • 1 (Mythography)

Noteworthy Novels



Noteworthy Non-Fiction

Noteworthy Settings & Sense of Place

  • Safe Passage by Carla Kelly - set in Mexico during the Revolution, although readers should be aware that it centres the experiences of white Mormon colonists.
  • Freedom to Love by Susanna Fraser - touching and sweeping romance between a British officer and a woman of the gens de couleur libres during the War of 1812.
  • Starlight by Carrie Lofty - Incredible sense of place in working-class Glasgow, where mill owner meets one of his factory workers.

Kick-ass Characters

  • Starlight by Carrie Lofty - Unionist, factory-worker heroine Polly is not here for your bourgeoisie shit. 
  • Saving Mr. Perfect by Tamara Morgan - ex-jewel thief Penelope at a loose end now that her husband has put the nix on her career, and watching her and Grant trying to grope towards a new, happy life together is surprisingly poignant, partly because they are both so kick-ass in their respective fields. 
  • Beauty Like the Night by Joanna Bourne - Sevie - sister of an infamous French spy, adopted daughter of an infamous English spy - was never not going to be awesome. See also: all of Joanna Bourne's other heroines. 
  • Rouge Desire Anthology - The heroes and heroines we need - but probably don't deserve - in these dark times. 

Monday, 24 July 2017

Review: Famous by Jenny Holiday

4 stars
I received an ARC of this book from the author in exchange for an honest review. My opinion is my own.

Jenny Holiday is one of the masters of the genre when it comes to earnest and heartwarming romances with considerate and self-aware heroes, and heroines who are strong, independent and - sometimes - a little emotionally closed-off. 

In her latest book, Famous, she tackles the rock-star romance, but flips the script: instead of the trope's traditional and much-loved jaded and world-weary rock-star hero, we have an art historian hero, and it's the Taylor-Swiftesque heroine who is worn out by her fame, and the pressure her managers place on her to keep churning out hit after hit. 

When Evan and Emmy first meet at a wedding, Evan is dealing with the fallout of his father's high-profile conviction for art fraud, while Emmy is about to move to Los Angeles to try and make it as a singer. As they part ways, he tells her: let me know if there is ever anything I can do for you

Seven years later and Emmy is Emerson Quinn, one of the biggest pop stars in the world. She's meant to be writing her next album, and her managers - deciding she should abandon her teenage fanbase and skew towards an older demographic - have hired "co-writers" to write her songs. Worn-out and unable to work in the conditions her managers insist on, Emmy escapes to the man who once offered her help.

Emmy shows up on Evan's doorstep at a precarious time for him. He's trying to make tenure at his small Midwestern college, and his family's background means he can't afford even a hint of scandal, let alone a big-name pop star hiding out in his house. But he also sees Emerson's vulnerability, and in the end he can't turn her away. As Emmy, with her new, anonymous look of sunglasses, baggy clothes and badly dyed hair, makes changes around Evan's house and charms the townsfolk, Evan finds it harder and harder to accept that this is Emmy's "Summer of No Men" before she returns to the high-paced pop star life. 

In some ways, Famous is what I think of as a quiet romance. This has to do with the levels and presentation of angst or conflict, and also the way main characters support one another, and are mindful of the other's wellbeing and emotional state. Both Evan and Emmy were vulnerable in their own ways: Evan is still dealing with the emotional legacy of his father's actions and how these affect his present and future, while Emmy is struggling with her lack of self-determination in her career.

On the other hand, the sense of waiting for the other shoe to drop - for Emmy to be recognised, for their idyllic time together to come to an end - but not knowing how this would come about, was incredibly suspenseful. It offset the domesticity of Evan and Emmy's life together well, and was one of my favourite aspects of the book.

I also loved the way Emmy related to her teenaged fans, and the teenaged characters in the book. It was refreshing to see teenagers' opinions being treated as legitimate, as opposed to the subject of scorn. 

Overall, Famous was a cute and well-done small-town-slash-rock-star romance. It was close to being a favourite within each of those tropes. Partially, that's because I'm not a big reader of either, but it's also because I'm yet to meet a Jenny Holiday book I haven't enjoyed, even if this wasn't amongst my very favourites. 

Sunday, 9 July 2017

Review: Sight Unseen Anthology

Multiple ratings

The concept of this anthology was that well-known romance authors would each write a story outside of their usual genre, but their name would not be attached to it until some time after publication, leaving the reader to guess which author wrote which story. I thought the concept was clever and was executed well - although I am pretty sure I know the author of one story, I can only make guesses at the rest. 

Even though I auto-buy three of the five authors included in this anthology (Thomas, Barry and Satie), and regularly also read and enjoy Duran's books, I found the majority of stories (3/5) just okay. I've been thinking about this: on one hand, it's very common for anthologies to be a bit of a mixed bag, while, on the other, I think the experimental nature of the anthology could also be a contributing factor. Not having the authors name attached to their work means there's a lack of confirmation bias, because the reader can't go in thinking: 'I've loved all of this author's previous work, surely I will love this as well' and is thus more critical than they might otherwise be.

Nonetheless, I think that Sight Unseen is full of quick, interesting reads, and contains something for everyone, except maybe readers who heavily lean towards historical romance. The novelty factor also adds something fun and unique to the reading experience. 

Lost that Feeling - 3 stars
Before being captured as the leader of a rebellion, Alma used her magic to wipe her memory. When her fellow rebels break her out of the prison where she has been kept, she must relearn her place in this underground movement against the King, and begins to question her motives her wiping her memory, and her relationship to Driss, the man who helped her escape. 

Objectively, the world-building in Lost that Feeling was great. I'm sure most people would have enjoyed it more than I did, but I have very been particularly interested in the kind classical fantasy setting that appears here. Given a strong romance arc - like in Grace Draven's work - I can sometimes let myself go and enjoy such settings, but there were only the slightest hints of romance between Alma and Driss. Having said that, I did like the open and hopeful ending, which reminded me of the teasing ending of a prequel novella, before the book actually dedicated to unravelling the hero and heroine's relationship.

A Clear View of You - 3 stars
Kate works as a psychic to pay off her student debts, even though she hates it and the whole thing is obviously bogus. But then North shows up, offering her an obscene amount of money if she'll use her 'skills' to help him locate an object. 

As a Fey, North knows that Kate has no psychic talent, but what she does have is a mother who is meddling with powers beyond her control. He needs Kate's help to gain entrance to the compound where her mother's so-called 'coven' live, and take back a Fey orb whose power is being misused, before it is too late.

Again, I liked the world-building and backstory of this one more than the romance. Kate has issues from growing up with a hippy mother who believes she is a witch, and just wants to lead a normal life. North is more of an enigma as a character, but the differentiation between the mundane and fey worlds were well-explained and -constructed. However, I wasn't convinced by the romance arc, and feel like the story would have benefited from being a bit longer, or having a bit more characterisation on North's part. 

Free - 3 stars
In small-town Montana, Wren's father and uncle run the local second-hand car dealership and a motorcycle club. She's sure that the club just a social thing for bored guys for like motorbikes and wearing leather jackets until the dealership's dorky part-time accountant, clues her into some suspicious stuff on the books. 

Brad has had it bad for Wren for ages, but she's the town's unofficial first daughter, not to mention the on-again/off-again relationship with one of the guys in the motorcycle club. But when he accidentally lets Wren in on what's going on behind the scenes, assuming she was already in the know, she begins to make her own investigations, and needs someone to turn to when she uncovers something unpleasant. 

Heroes in motorcycle clubs are currently all the rage, and Free used this trope in a creative way that I really appreciated. Making it MC-adjacent meant that the reader doesn't have to tackle the moral greyness or suspension of disbelief involved when the hero is actually a biker. The story was also very well written and paced. I considered giving it a higher ranking, but didn't, because Wren's portrayal of the dumb-blonde-with-smokin'-body portrayal rankled. There's nothing inherently sexist about it - in fact, it is a good example of Butler's concept of performative gender, but it was continually a point of focus in a way that centred the male gaze, and it dampened my enjoyment of the whole thing a bit. 

Chariot of Desire - 3.5 stars
The 70's were good to the legendary band Donjon, but as the 1980's roll around, the rock'n'roll lifestyle has taken its toll. Lead singer Donny has joined a Christian sect, and is thus unwilling to sing any of their backlist that contains immoral themes. So, basically, all of it. With the stress on the band reaching breaking point, Donny turns to the band's drummer, CJ, as they try to find a balance between Donny's religion and demons, CJ's standoffishness and the good of the band.

I found Chariot of Desire interesting and different, for a number of reasons. There's the mid-to-late 20th century setting (which I think is massively underused in romance), the use of religion and sectism and the fact that the main characters are past their prime and live (or lived) for sex, drugs and rock'n'roll. As with other stories in the anthology, there is an open ending without a definitive HFN or HEA, but for some reason it worked slightly better for me here, perhaps because it would have been too much of an about-face for the characters to commit to a relationship together. 

The Heart is a Universe - 5 stars
Every generation, on the planet of Pax Cara, a child is chosen and raised with the knowledge that, when they grow up, they will be a sacrifice to the old gods. With less than a month left until she must sacrifice herself, Vitalis is looking for a way out. A hero in his own right, Eleian of Terra Illustrata has watched the media coverage of Vitalis for many years. When they meet at an official function, he makes her a public offer of marriage. She accepts, but both of them are hiding things from the other, and the day of the sacrifice is growing ever closer. 

The Heart is a Universe was the anthology's stand-out story for me. The world-building, characterisation and plot were all amazing, and it several times it went in directions I genuinely did not expect. It has an unconventional HEA, and if someone else had told me about it, I would have scoffed and denied that anyone could ever pull that off, but somehow, the author does. 

Also, for those of you taking part it July's #RomBkLove on Twitter or elsewhere, yesterday's theme was "favourite Virgin Hero/Heroine", and many of us talked about our love for virgin heroes, and made some suggestions. I forgot to mention Eleian, but he is an awesome virgin hero, and I love the way this is worked into the story.

Concluding Thoughts
Looking back on what I've written, it strikes me that Sight Unseen is not just experimental in form, but is also pushing the romance boundaries in other ways, particularly in the way many of the endings do not fit genre conventions surrounding the HEA/HFN. That makes me feel bad about critiquing them, or - more accurately - critiquing some and accepting others. But I'm all about the HEA. 

Friday, 30 June 2017

Overview: June Reading

Reading Overview & Genre Breakdown

Books read in June: 19
Books read YTD: 93

Fiction Titles: 

  • 16 (9 contemporary romance, 5 historical romance, 1 paranormal romance, 1 romance anthology)

Non-Fiction Titles: 
  • 2 (History)

  • 1 Poetry

Noteworthy Novels

Noteworthy Non-Fiction

Noteworthy Settings

Kick-ass Characters

  • Small Change by Roan Parrish  - Heroine Ginger is not good at letting people get close, and it's lovely to see a spiky heroine and the hero who loves her.
  • The Lawrence Browne Affair by Cat Sebastian - the way the heroes were kind, caring and thoughtful to each other was absolutely my catnip.

From the Internet this Month

Literature, Craft and the Publishing Industry

Other Media

Women & Feminism

Sunday, 25 June 2017

Review: Ride Baby Ride by Vivian Arend

2 stars

Ride Baby Ride by Vivian Arend was a trope buffet: brother's best friend, amnesiac heroine and surprise pregnancy, to name the biggest three. But it's like when you arrive to the breakfast buffet 15 minutes before it closes, and are forced to make do with the one remaining crossiant, congealed baked beans and some tinned peaches, because that's all that's left. Not a particularly great combo, especially when you have to put them on a single plate, because they've started packing the dishes away. To unpack that terrible metaphor, I basically just felt like there were lots of different tropes and elements all smushed into one short novella, and they didn't have enough space to breathe. 

When Katy breaks up with her low-life boyfriend Simon, Gage Jennick - a close friend of Katy's family - decides to make his move. It's far from ideal timing - he's  just about to leave for a gig on a oil field - but they spend the night together, and promise to continue the relationship when he returns. Except that, in the meanwhile, Katy has a car accident and loses her short-term memory, forgetting her night with Gage and situation with her ex-boyfriend. When she finds out she's pregnant, both step foward and claim to be the baby's father. Katy has to fit the pieces together, but that's hard to do when Gage is determined to win her back and prove to her that he doesn't just want her, but the baby and a long-term future as well.

There was a marked lack of development of Gage and Katy's relationship. At first, Katy is trying to hold him at bay and figure things out and and then, WHAM, they're going to spend their lives together. This was - at least in part - due to the time jumps littered throughout. Those also fell victim to my pet hate when it comes to time jumps: instead of 'two months later' or similar at the top of the chapters, it says 'November', thus requiring you to remember the month named at the previous time jump. For someone with a goldfish brain like mine, this is pretty much impossible, and I ended up skim-reading the first few pages after each time jump, looking for clues - like how much Katy's pregnancy had progressed - which would allow me to establish how much time had passed. 

There was also some toxic masculinity that interfered with my enjoyment of the story, as did the gigantic suspension of disbelief required to buy the way the external conflict comes to a climax. I'm not gonna spoil that, mainly because it's just so crazysauce I wouldn't even know where to begin, but there are some Goodreads reviews that talk about it if you are interested. 

Saturday, 3 June 2017

Overview: May Reading

Reading Overview & Genre Breakdown

Five months in I'm really starting to see the value of tracking my reading like this. For example, I never realised before how, in the normal run of things, I read more contemporary than historical romance, but switch to pretty much 100% historicals  as soon as my stress levels start to go up. I wonder if it has to do with the fact that historical romance - obviously - bears less resemblance to me everyday life, and therefore is more escapist? Or is it because historical romance was my first love and gateway to the genre?

Books read in May: 14
Books read YTD: 76

Fiction Titles: 
  • 11 (8 historical romance, 3 contemporary romance)
Non-Fiction Titles: 
  • 3 (1 memoir/social history, 2 history)

Noteworthy Novels

Noteworthy Non-Fiction

Noteworthy Settings

Kick-ass Characters

  • Unseen Attraction by K J Charles - Neuroatypical hero & neurotypical hero unite to solve a crime threatening their home and businesses
  • Clean Breaks by Ruby Lang - heroine Sarah is feeling angry and threatened due to a melanoma diagnosis and the reappearance of the hero in her life, which brings up memories of a long-ago teenage scandal.

From the Internet this Month


Literature, Craft and the Publishing Industry

Other Media

Women & Feminism
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